![]() It's contributors are leading international biographers, critics and poets, including Hermione Lee, Paul Muldoon, Daniel Karlin, Hugh Haughton, Anne Fadiman, Edna Longley and Angela Leighton.It is an absorbing history of literary friendship, love, and rivalry. It offers a comprehensive collection of essays on the art and genre of letter writing among Romantic, Victorian and Twentieth Century poets. Who are the great letter writers of the past? Why is reading other people's mail so addictive? What is the relationship between letter writing and other literary genres such as poetry? Divided into three sections - Contexts and Issues, Romantic and Victorian Letter Writing, and Twentieth Century Letter Writing - the volume demonstrates that real letters still have an allure that virtual post struggles to replicate. In doing so, they respond to the following questions. They range from Coleridge, Wordsworth, Keats and Shelley in the 19th century to Eliot, Yeats, Bishop and Larkin in the 20th. It offers 15 enlightening chapters by leading international biographers, critics and poets examine letter writing among poets in the last two hundred years. The first book to look at poets' letters seriously as an art form. „Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.īuchbeschreibung Hardback. It is a sensitive study of the often close relationship between letter writing and poetry. ![]() It is an absorbing history of literary friendship, love, and rivalry. It's contributors are leading international biographers, critics and poets, including Hermione Lee, Paul Muldoon, Daniel Karlin, Hugh Haughton, Anne Fadiman, Edna Longley and Angela Leighton. It also, of course, casts light on the work itself.- Peter Sirr, Poetry Ireland Review Reseña del editor: the essays are penetrating and engagingly written.- Ruth Hawthorn, PN Review -To read poets' letters to other poets is to gain insight into the context in which they operated and into the complex bond of common obsession and lonely practice that ties and at the same time separates them. Covering the Romantic period through to the twentieth century, the volume addresses a miscellany of subjects, although Keats and Bishop are, rightly, important touchstones. Central to the collection is the shared conviction that letters are not 'autobiography by another name' but rather 'performances'. Every letter exemplifies its writer's literary style, while some can be a testing ground for poetry.- Nancy Campbell, Times Literary Supplement -The collection looks backwards rather than forwards, celebrating the productive hybridity of letters as 'not only a source of information but a form of information' letters are taken seriously as an art form in their own right, rather than a secondary source the critic mines for insights. Others, such as those exchanged by Coleridge and his contemporaries, contain gossip that provides insight into the way literary networks operated. A letter may offer explicit commentary on individual poems or poetics, as does one written by Keats on December 27, 1817, explaining his concept of negative capability. The scholarly contributors to Letter Writing Among Poets argue that letters merit as much critical attention as texts in other genres, and that poets' letters reward particular scrutiny. The editor, Jonathan Ellis, offers a gentle admonition to critics who mourn the 'lost world' before the internet (in the words of Rebecca Solnit), a time when everyone wrote at length and thought in depth. The fifteen essays in this volume consider letters written during the past two centuries, and shed light on the state of correspondence today.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |